Vanitas-Who takes away what is danced



The objective of this research is to develop a creation process that results in VANITAS, a DOUBLE DEVICE: Installation-Scene. The allegory of death will be taken as a source of inspiration. "Vanity of vanities, all is vanity," Solomon in Ecclesiastes 1: 2.

VANITAS-WHO TAKES AWAY WHAT IS DANCED appears as a need for search having gone through half of our lives, past 40 years.

VANITAS is somehow feeling the perfume of the flowers and the rottenness of the water in the vase, is savoring the beauty of life and feeling the inexorable advance that brings us closer to the end, it is with Eros and Thanatos simultaneously.

VANITAS develops a double device: Installation-Scene that reveals two faces of the same situation.

CREDITS
Directed and performed Agustina Sario/Matthieu Perpoint
Lighting Adrián Grimozzi
Stage Design Leandro Egido
Music Creation Demian Velazco Rochwerger/Matthieu Perpoint
Video Joa Wall
Aesthetic Assistance. Fabiana Barreda/Andrea Saltzman
Sound Federico Spinelli