"I distinguish a stimulating recurrence at the moment of approaching creation, the enormous attraction that the dialogue between the plastic and the performative areas generate in me. It is from the contact with a texture, a color or a materiality that a body with specific requirements arises, creating in this way a temporal pace, a spatial profoundness and a poetic universe on its own.
To create is to be able to touch the materiality which I am working with and give that to the spectator. The piece is unveiled when the materiality is finally touched as it needs to be."
Agustina Sario

Agustina Sario
Argentinian dancer, choreographer and researcher, Agustina Sario has been living in Nantes for the last year. She was choreographic assistant at the National Contemporary Dance Company of the Argentinean Ministry of Culture. She has a degree in Psychology and a PhD from the Universidad Nacional de las Artes (Argentina) with a thesis on dramaturgy in dance. She was part of the IAE-Facultad de Filosofía y Letras of the Universidad de Buenos Aires (Argentina). As a performer, she has worked with Maguy Marin (CCN-Rillieux-La-Pape), Stephanie Thiersch-Mouvoir (Germany), Krapp (Argentina) and Alexandra Bachzetsis (Switzerland). As a choreographer, she created her first solo ‘3 idiotic ideas’, followed by about fifteen pieces, including the audiovisual creation Vanitas Trilogy between 2020 and 2023. Agustina Sario is regularly invited to create pieces for university companies (Universidad de San Martín, Universidad Nacional de las Artes). Since 2017, she has been developing the pedagogical strategy ‘Creative Clinic’ with Matthieu Perpoint to accompany the creative process of other artists. She works at the University of Buenos Aires with the Saltzman Chair of Textile Design. In 2024, she collaborated with Ambra Senatore- Centre National de Nantes as an external look.